Positions

Research Areas research areas

Publications

Academic Article

Year Title
2016 Hollywood's South Seas and the Pacific War: Searching for Dorothy Lamour, by Sean Brawley and Chris Dixon (New York: Palgrave Macmillan, 2012)Quarterly Review of Film and Video.  33:780-783. 2016
2013 A Review of “Soldiers’ Stories: Military Women in Cinema and Television Since World War II”Quarterly Review of Film and Video.  30:283-287. 2013
2011 A Review of “Mixed Race Hollywood”Quarterly Review of Film and Video.  28:428-433. 2011
2011 Enduring Words: Literary Narrative in a Changing Media EcologyTwentieth Century Literature.  57:285-290. 2011
2011 Literature in the Age of Visual MediaTwentieth Century Literature.  57:285-290. 2011
2009 John Ford's Vernacular Orientalism and Wartime Hawai'iQuarterly Review of Film and Video.  26:293-310. 2009
2007 Ethnic American literature: Comparing Chicano, Jewish, and African American writingTwentieth Century Literature.  53:406-413. 2007
2007 Trailing clouds: Immigrant fiction in contemporary AmericaTwentieth Century Literature.  53:406-413. 2007
2004 War and Orientalism in Hollywood Combat FilmQuarterly Review of Film and Video.  21:327-338. 2004
2003 Ethnic Modernism in Jean Rhys's" Good Morning, Midnight"Journal of Caribbean Literatures.  3:63-76. 2003
1998 From Hollywood to Hester Street: Ghetto film, melodrama, and the image of the assimilated Jew in 'Hungry Hearts'Journal of Film and Video.  50:18-33. 1998
1997 Administered identities and linguistic assimilation: The politics of immigrant English in Anzia Yezierska's 'Hungry Hearts'American Literature.  69:595-619. 1997
Rebel Without a Cause: Approaches to a Maverick Masterwork: edited by J. David Slocum.Quarterly Review of Film and Video.  25:426-430.

Book

Year Title
2017 Hollywood's Hawaii Race, Nation, and War 2017
2002 Ethnic Modernisms Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation 2002
Hollywood at the Intersection of Race and Identity

Chapter

Year Title
2013 The Belated Tradition of Asian-American Modernism 2013
2011 From Hollywood to Hester Street: Ghetto Film, Melodrama, and the Image of the Assimilated Jew in Hungry Hearts.  89-98. 2011
2002 'Getting in Touch with the True South': Pet Negroes, White Crackers, and Racial Staging in Zora Neale Hurston's Seraph on the Suwanee.  131-146. 2002

Teaching Activities

  • Introduction to Film Studies Taught course 2018
  • Race and Gender in Film Taught course 2018
  • Senior Honors Taught course 2018
  • Studies in Film/Authorship Taught course 2018
  • Studies in Film/Genre Taught course 2018
  • Introduction to Film Studies Taught course 2017
  • Race and Gender in Film Taught course 2017
  • Senior Honors Taught course 2017
  • Introduction to Film Studies Taught course 2016
  • Introduction to Film Studies Taught course 2016
  • Senior Honors Taught course 2016
  • Studies in Film/Authorship Taught course 2016
  • Senior Honors Taught course 2016
  • Studies in Film/Genre Taught course 2016
  • Introduction to Film Studies Taught course 2015
  • Senior Honors Taught course 2015
  • Studies in Film/War Film Taught course 2015
  • English Major Internship Taught course 2015
  • Race and Gender in Film Taught course 2015
  • Senior Honors Taught course 2015
  • Studies in Film/Culture Taught course 2015
  • Introduction to Film Studies Taught course 2014
  • Introduction to Film Studies Taught course 2014
  • Senior Honors Taught course 2014
  • Studies in Film/Authorship Taught course 2014
  • Film Stdy/ Race & Gender Taught course 2014
  • Senior Honors Taught course 2014
  • Studies in Film/Genre Taught course 2014
  • Education And Training

  • B.A., Georgia State University
  • M.A. English Language&Literature, University of Chicago
  • Ph.D. English Language&Literature, University of Chicago
  • Full Name

  • Delia Konzett