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Yellowface, Minstrelsy, and Hollywood Happy Endings: The Black Camel (1931), Charlie Chan in Egypt (1935), and Charlie Chan at the Olympics (1937)
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Overview
Abstract
This collection of essays asks to what degree can a close critical analysis of films, that is, reading them against their own ideological grain, reveal contradictions and tensions in Hollywood’s task of erecting normative cultural ...
Authors
Konzett, Delia
Publication Date
November 15, 2019
Research
Keywords
Performing Arts
Identity
International Standard Book Number (isbn) 10
0813599334
International Standard Book Number (isbn) 13
9780813599335
Additional Document Info
Start Page
84
End Page
102