This investigation of the ways in which Italian poet soldiers represented mothers and motherhood seeks to shed light on the relationship between gender and war in early-twentieth-century Italy by exploring the intersections and divergences between the official discourses on motherhood and the Madre-patria, represented here by D'Annuzio's “Il rinato,” and the counter-discourses offered in the poetry of Ugo Betti and Corrado Alvaro. In order to illustrate a fundamental difference in the way D'Annunzio, on the one hand, and Betti and Alvaro, on the other, portray mothers, I will focus on their various depictions of maternal grief. I argue that Betti's and Alvaro's representations of melancholic mothers constitute an ethical choice that runs counter to the nationalist narrative of sacrifice and regeneration, but in the end I also question whether their melancholic mothers can be viewed as a new kind of model of womanhood or if she is just another iteration of the mater dolorosa projected onto women by both Catholicism and pseudo-science.
