| Year |
Title |
| 2019
|
Cuore and the cinema: reframing the Risorgimento for the First World War.
Modern Italy.
24:281-294.
2019
|
| 2014
|
Arms, Wombs and Tears: The Mother's Body in Women's Writing about War in Early Twentieth-Century Italy.
Italica.
91:666-685.
2014
|
| 2013
|
Introduction The Banda della Magliana, The Camorra, The ’Ndrangheta, and the Sacra Corona Unita: The Mafia Onscreen Beyond the Cosa Nostra.
The Italianist.
33:190-200.
2013
|
| 2013
|
"Unresolved Commemoration: Memorials to Victims of Homophobic Violence in Italy".
The Italianist.
33.
2013
|
| 2012
|
MATERNITY, MORTALITY AND MOURNING IN THE TRENCH POETRY OF WORLD WAR I.
Forum Italicum: a journal of Italian studies.
46:380-402.
2012
|
| 2012
|
MEMORY, HISTORY AND A MOTHER'S RESISTANT MOURNING IN GIUSEPPE DESSI'S IL DISERTORE.
Quaderni d'Italianistica.
33:133-149.
2012
|
| 2011
|
Maternal Images in Song, Bronze, and Rhetoric: Mercantini's 'Inno di Garibaldi', Baroni's Monumento ai Mille, and D'Annunzio's Orazione per la sagra dei Mille.
Italian Studies.
66:40-58.
2011
|
| 2011
|
"Masculinities and the Commemoration of World War I: Gabriele D'Annunzio and Eugenio Baroni".
Italian Culture.
29:3-17.
2011
|
| 2010
|
The Appropriation of Public Spaces in Ferzan Ozpetek's Le fate ignoranti and Cuore sacro.
Annali d'Italianistica.
28:410-429.
2010
|
