Positions

Research Areas research areas

Publications

Academic Article

Year Title
2015 Issues of Counterpoint in Gombert's Missa Tempore paschaliJournal of Musicology.  32:410-439. 2015
2015 Remarks on some chansons by Jean Mouton, and related mattersTijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis.  65:37-65. 2015
2012 Ad Fugam, De Orto, and a Defense of the 'Early Josquin'Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis.  3-3. 2012
2011 Evidence contrary to the a cappella hypothesis for the 15th-century chansonEarly Music.  39:359-+. 2011
2010 Evidence in Support of Choral Singing of Polyphony c. 1500Marvinschrift; a festschrift for Jameson Marvin, Harvard Univ..  41-47. 2010
2007 The persistence of exact canon throughout the sixteenth centuryCollected Work: Canons and canonic techniques, 14th–16th centuries: Theory, practice, and reception history. Series: Analysis in context: Leuven studies in musicology, No. 1 Published by: Leuven, Belgium: Peeters, 2007.; Published by: Dudley, MA, United States: Peeters, 2007. Pages: 171-196. (AN: 2007-04017).2007
2004 Another impolitic observation on Absalon, fili miJournal of Musicology.  21:343-380. 2004
2003 Forbidden intervals in Josquin: Evidence from the Alamire sourcesCollected Work: The Burgundian-Habsburg court complex of music manuscripts (1500–1535) and the workshop of Petrus Alamire. (AN: 2003-08698)..  5:233-245. 2003
1999 Chromatic beauty in the late medieval chanson: An interpretation of manuscript accidentalsNotes.  55:645-647. 1999
1999 False concords in BusnoysCollected Work: Antoine Busnoys: Method, meaning, and context in late medieval music. Published by: New York, NY, U.S.A.: Oxford University Press, 1999. Pages: 361-387. (AN: 1999-15178).1999
1997 Calculated to please the ear: Ockeghem's canonic legacyTijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis.  47:72-98. 1997
1997 Musica ficta (15th-16th centuries)Die Musik in Geschichte und Gegenwart.  6. 1997
1997 The music of silenceGeorgia Review.  51:73-78. 1997
1997 Three sample problems of editorial accidentals in chansons by Busnoys and OckeghemCollected Work: Music in Renaissance cities and courts: Studies in honor of Lewis Lockwood. Series: Detroit monographs in musicology/Studies in music, No. 18 Published by: Warren, MI: Harmonie Park, 1997. Pages: 465-481. (AN: 1997-04381).1997
1995 BORN FOR THE MUSES - THE LIFE AND MASSES OF OBRECHT,JACOB - WEGMAN,RCEarly Music.  23:697-699. 1995
1994 AURAL IMAGES OF LOST TRADITIONS - SHARPS AND FLATS IN THE 16TH-CENTURY - TOFT,RNotes.  51:109-112. 1994
1994 A CORRESPONDENCE OF RENAISSANCE MUSICIANS - BLACKBURN,BJ, LOWINSKY,EE, MILLER,CAJournal of Musicological Research.  14:93-97. 1994
1994 An accidental flat in Josquin's Sine nomine MassCollected Work: From Ciconia to Sweelinck: Donum natalicium Willem Elders. Published by: Amsterdam, Netherlands: Rodopi, 1994.; Series: Chloe: Beihefte zum Daphnis, No. 21 Published by: Amsterdam, Netherlands: Rodopi, 1994. ISSN: 0168-9878. Pages: 125-144. (AN: 1994-02537).1994
1993 CROSS-RELATIONS BY FRANCO-FLEMISH COMPOSERS AFTER JOSQUIN + RENAISSANCE MUSICTijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis.  43:3-41. 1993
1993 ESSAYS ON ITALIAN MUSIC IN THE CINQUECENTO - CHARTERIS,R, EDITORRenaissance Quarterly.  46:210-214. 1993
1992 Antoine Busnoys: Collected Works, ed. by Richard Taruskin (New York, 1990)Historical Performance.  5:96-100. 1992
1989 Musica ficta: Theories of accidental inflections in vocal polyphony from Marcheto da Padova to Gioseffo ZarlinoHistorical performance: The journal of Early Music America.  2:35-38. 1989
1987 'LIBER II, SACRARUM CANTIONUM CUM SEX VOCIBUS, VENETIIS 1587' (OPERA, NEW COMPLETE EDITION, SER-A-6) - MONTE,PD, STEINHARDT,M, EDITORNotes.  44:145-148. 1987
1987 'MISSA ADIEU MES AMOURS, MISSA AVE REGINA CELORUM', (NEW EDITION OF THE COLLECTED WORKS, 1) - OBRECHT,J, HUDSON,B, EDITORNotes.  44:145-148. 1987
1974 The mechanism of β-hydride elimination from transition metal alkyls (d8): Kinetic deuterium isotope effectJournal of Organometallic Chemistry.  81:C37-C39. 1974

Article

Year Title
1993 Missa De beata Virgine 1993

Book

Year Title
2012 New Josquin edition. [Zu] Vol. 12 Canonic masses ... Critical commentary.  Ed. Urquhart, Peter.  2012
Sound and Sense in Franco-Flemish Music of the Renaissance: Sharps, Flats, and the Problem of "Musica ficta"

Chapter

Year Title
2005 Susato's Le septiesme livre (1545) and the persistence of exact canon 2005
2000 Canon.  581-639. 2000

Teaching Activities

  • Music of the Renaissance Taught course 2018
  • Theory II Taught course 2018
  • Introduction to Music Taught course 2018
  • Music of the Classical Period Taught course 2018
  • Musicology Seminar Taught course 2017
  • Theory II Taught course 2017
  • Music of the Baroque Taught course 2016
  • Theory II Taught course 2016
  • Music of the Renaissance Taught course 2016
  • Theory II Taught course 2016
  • Theory II Taught course 2015
  • Research Seminar Taught course 2015
  • Theory II Taught course 2015
  • Theory Seminar Taught course 2015
  • Read Music History 1600-1820 Taught course 2014
  • Research Seminar Taught course 2014
  • Theory II Taught course 2014
  • Readings Music History to 1600 Taught course 2014
  • Theory I Taught course 2014
  • Education And Training

  • A.B. Chemistry, Princeton University
  • M.A. Music, Smith College
  • M.M. Conducting, Rider University
  • M.M. Music, Rider University
  • Ph.D. Music, Harvard University
  • Full Name

  • Peter Urquhart