| Year | Title |
|---|---|
| 2023 | CJNS/RCÉN.
CANADIAN JOURNAL OF NETHERLANDIC STUDIES REVUE CANADIENNE D’ÉTUDES NÉERLANDAISES.
42:1-26.
2023
|
| 2021 | Art, Aura, and Admiration in the Age of Digital Reproduction.
Art History & Criticism.
17:5-16.
2021
|
| 2020 | Journal of Aesthetic Education.
Journal of Aesthetic Education.
54:76-88.
2020
|
| 2019 | On Quality, Art Historically Considered.
American Society for Aesthetics Graduate E-Journal.
39:1-4.
2019
|
| 2019 | Leonardo, after 500 Years.
Aesthetic Investigations.
III:158-71.
2019
|
| 2018 | The Clarion Calls for Design.
Manifest International Drawing Annual.
16-19.
2018
|
| 2017 | Norman Ackroyd's Collectors.
Art in Print.
28-31.
2017
|
| 2016 | The Forest Around the Fir Tree: Looking for Marcantonio Raimondi‘s Art.
Bulletin of the John Rylands University Library of Manchester.
92:1-24.
2016
|
| 2016 | How Novelle May Have Shaped Visual Imaginations.
Humanities.
5:27-27.
2016
|
| 2016 | Marcantonio Raimondi, Raphael, and the Image Multiplied
2016
|
| 2016 | Why Study Prints Now, Redux.
Art in Print.
13-15.
2016
|
| 2015 | On Drawing
2015
|
| 2015 | Ordinary Flaws and Their Tragedies : Three Films of the Last Century.
Chicago Literati, Cinematique: The Movie Issue.
2015
|
| 2015 | The Teaching Compact.
Chronicles of Higher Education.
2015
|
| 2012 | On Ambition in Art.
American Society for Aesthetics Graduate E-Journal.
2012
|
| 2010 | Whittling down the istoria.
Subject as Aporia in Early Modern Art.
71-85.
2010
|
| 2008 | Developing a twenty-first century perspective on the Renaissance.
Renaissance Theory.
2008
|
| 2005 | Durer's Rider.
Renaissance Studies.
511-522.
2005
|
| 2005 | Rembrandt's Allegory of the Phoenix.
Zeitschrift für Kunstgeschichte.
554-556.
2005
|
| 2002 | Raphael's Dresden Cherubs.
Zeitschrift für Kunstgeschichte.
65:242-242.
2002
|
| 1999 | Truth and Bizzarria in an Engraving of Lo stregozzo.
Art Bulletin.
81:623-636.
1999
|
| 1998 | The Ignudo as proto-capriccio.
Word and Image.
14:281-295.
1998
|
| 1998 | The Uses of Mood in Two of Tiepolo's Etchings.
Bulletin.
1998
|
| 1995 | Prolegomenon to the study of Italian Renaissance prints.
Word and Image.
11:1-15.
1995
|
| 1995 | The Paysage Moralisé.
Artibus et Historiae: international journal for visual arts.
125-137.
1995
|
| 1994 | The raucousness of Mantegna's mythological engravings.
Gazette des Beaux-Arts.
124:159-176.
1994
|
| 1993 | Leonardo's Landscape in the" Virgin of the Rocks".
Zeitschrift für Kunstgeschichte.
56:116-118.
1993
|
| 1992 | Asleep in the Grass of Arcady: Giulio Campagnola's Dreamer.
Renaissance Quarterly.
45:271-292.
1992
|
| 1992 | The Porta della Mandorla's Bear.
Mitteilungen des Kunsthistorischen Institutes in Florenz.
381-387.
1992
|
| 1991 | Grazia.
Renaissance Studies.
5:427-460.
1991
|
| 1991 | The singularity of Raphael's Lucretia.
Art History.
14.
1991
|
| 1991 | The'Concert Champetre'and Gilding the Lily.
Burlington Magazine.
1991
|
| 1990 | The Word Made Naked in Pollaiuolos Battle of the Nudes.
Art History.
13.
1990
|
| 1988 | Michelangelo's Adam, Before and After Creation.
Gazette des Beaux-Arts.
1988
|
| 1985 | "The Triumph of the Moon" by Master PP.
Zeitschrift für Kunstgeschichte.
48:538-538.
1985
|
| 1984 | Marcantonio's" Massacre of the Innocents".
Print Quarterly.
1:257-267.
1984
|
| Did the Early Moderns Believe their Art?.
Res: Anthropology and Aesthetics.
|
|
| The picturesque, the sublime, the authentic: a perspective on the ontology of contemporary art.
Journal of Aesthetic Education.
|
| Year | Title |
|---|---|
| 2024 | The Long Picturesque, or Unraveling the Rules of Art
2024
|
| 2022 | Art and its Observers
2022
|
| 2021 | Moving Pictures and Renaissance Art History
2021
|
| Year | Title |
|---|---|
| 2020 | Ideas: Philosophy, Religion, History.
97-115.
2020
|
| 2016 | The Architectural Imagination
2016
|
| 2010 | Whittling Down the Istoria.
87-102.
2010
|
| 2006 | The Arts in Replication
2006
|
| 2005 | Raphael's Multiples
2005
|
| Where Once the Waters.
196-197.
|
