Positions

Research Areas research areas

Selected Publications

Academic Article

Year Title
2011 It’s Not Every Day We’re Gonna Be The Same – Wong Kar Wai, Auteur-Flaneur ofthe Camera.  Weber: The Contemporary West.  27:67-76. 2011
2009 Competing Paradigms of Multiculturalism?.  Twentieth Century Literature: a scholarly and critical journal.  55:114-124. 2009
2009 Imminent Future—Sci-Fi Film and the Construction of Soundscapes.  Weber: The Contemporary West.  25. 2009
2007 Orientalism and German Turkish Cinema.  AIZEN.  2007
2007 Sander L. Gilman, Jurek Becker: A Live in Five Worlds.  The German Quarterly.  2007
2005 Marjorie Perloff, The Vienna Paradox: A Memoir.  The German Quarterly.  2005
2003 Zafer Senocak im Gesprach.  The German Quarterly.  76:131-131. 2003
2001 Fashioning Vienna: Adolf Loos’s Cultural Criticism. Janet Stewart.  Modernism/Modernity.  2001
1999 The Politics of Recognition in Contemporary Austrian Jewish Literature.  Monatshefte.  90. 1999
1995 Cultural Amnesia and the Banality of Human Tragedy: Peter Handke'sWunschloses Unglückand its Postideological Aesthetics.  The Germanic Review.  70:42-50. 1995
1995 Cultural Amnesia and the Banality of Human Tragedy: Peter Handke’s Wunschloses Unglück and its Post-Ideological Aesthetics.  The Germanic Review.  LXX. 1995
1995 Publikumsbeschimpfung: Thomas Bernhard's Provocations of the Austrian Public Sphere.  The German Quarterly.  68:251-251. 1995
1995 Publikumsbeschimpfung: Thomas Bernhard’s Provocations of the Austrian Public Sphere.  The German Quarterly.  68. 1995
1993 Christa Wolf's Was bleibt: The Literary Utopia and its Remaining Significance.  Monatshefte: fuer deutschsprachige literatur und kultur.  85. 1993

Book

Year Title
2010 A Companion to the Works of Thomas Bernhard.  Ed. Konzett, Matthias.  2010
2000 The Rhetoric of National Dissent in Thomas Bernhard, Peter Handke, and Elfriede Jelinek 2000

Chapter

Year Title
2019 The Egotistical Sublime: Film Noir and Whiteness 2019
2010 Sci-Fi Film and Sounds of the Future.  100-117. 2010
2007 Preface: The Many Faces of Elfriede Jelinek 2007
2005 Thomas Bernhard's National Iconoclasm 2005
2003 Questioning the Legacy of Weimar: Postnationalism in Vienna and Weimar Modernism 2003
2003 The Difficult Rebirth of Cosmopolitanism: Schnitzler and Contemporary Austrian Literature 2003
2003 Writing against the grain: Zafer Şenocak as public intellectual and writer 2003
2003 Zafer Senocak and The Position of Turkish Migrant Culture in Present Germany, 2003
2000 Transcultural Profiles in Contemporary Austrian Jewish Literature, 2000
1999 Post-ideological Tendencies in Contemporary Turkish Women Writers 1999
1993 Stevens, Heidegger and the Dialectics of Abstraction and Empathy in Poetic Language 1993

Editor Of

Other Research Activities

Teaching Activities

  • Film Theory Taught course
  • Intro to Film Studies Taught course
  • Intro to Film Studies Taught course
  • Intro to Film Studies Taught course
  • Studies in Film/Authorship Taught course
  • Film Theory Taught course 2024
  • Intro to Film Studies Taught course 2024
  • Studies in Film/Cult &Ideology Taught course 2024
  • Introduction to Film Studies Taught course 2023
  • Studies in Film/Genre Taught course 2023
  • Film Theory Taught course 2022
  • Introduction to Film Studies Taught course 2022
  • Stdy in Film/Narrative & Style Taught course 2022
  • Introduction to Film Studies Taught course 2022
  • Studies in Film/Sci-fi Film Taught course 2022
  • Film Theory Taught course 2021
  • Introduction to Film Studies Taught course 2021
  • Stdy in Film/Narrative & Style Taught course 2021
  • Introduction to Film Studies Taught course 2021
  • Studies in Film/Authorship Taught course 2021
  • Film Theory Taught course 2020
  • Introduction to Film Studies Taught course 2020
  • Stdy in Film/Narrative & Style Taught course 2020
  • Introduction to Film Studies Taught course 2020
  • Stdy in Film/Narrative & Style Taught course 2020
  • Film Theory Taught course 2019
  • Introduction to Film Studies Taught course 2019
  • Studies in Film/Cult &Ideology Taught course 2019
  • Introduction to Film Studies Taught course 2019
  • Studies in Film/Authorship Taught course 2019
  • Film Theory Taught course 2018
  • Introduction to Film Studies Taught course 2018
  • Stdy in Film/Global HorrorFilm Taught course 2018
  • Introduction to Film Studies Taught course 2018
  • Stdy in Film/Narrative & Style Taught course 2018
  • Film Theory Taught course 2017
  • Introduction to Film Studies Taught course 2017
  • Studies in Film/Cult &Ideology Taught course 2017
  • Introduction to Film Studies Taught course 2017
  • Studies in Film/Genre Taught course 2017
  • Film Theory Taught course 2016
  • Introduction to Film Studies Taught course 2016
  • Introduction to Film Studies Taught course 2016
  • Stdy in Film/Narrative & Style Taught course 2016
  • Introduction to Film Studies Taught course 2016
  • Studies in Film/Authorship Taught course 2016
  • Film Theory Taught course 2015
  • Introduction to Film Studies Taught course 2015
  • Stdy in Film/Film Noir Taught course 2015
  • Stdy in Film/Narrative & Style Taught course 2015
  • Studies in Film/Genre Taught course 2015
  • Film Theory Taught course 2014
  • Introduction to Film Studies Taught course 2014
  • Introduction to Film Studies Taught course 2014
  • Studies in Film/Cult &Ideology Taught course 2014
  • Studies in Film/Cult &Ideology Taught course 2014
  • Film Stdy/World Cinema Taught course 2014
  • Studies in Film/Authorship Taught course 2014

    • Education And Training

    Full Name

  • Matthias Konzett