Year | Title |
---|---|
2020 | Richard Abel, Motor City Movie Culture, 1916-1925.
Nineteenth Century Theatre and Film.
47:212-216.
2020
|
2020 | Mapping Flat, Deep, and Slow: On the ‘Spirit of Place’ in New Cinema History.
TMG Journal for Media History.
23:1-34.
2020
|
2011 | Where is Cinema? Invited contribution to a special omnibus article entitled Senses of Cinema-Going: Brief Reports on Going to the Movies Around the World.
Senses of Cinema.
2011
|
2001 | Like Nickels in a Slot: Children of the American Working Classes at the Neighborhood Movie House.
The Velvet Light Trap.
48:20-33.
2001
|
1998 | Class markers in the mass movie audience: A case study in the cultural geography of moviegoing, 1926‐1932.
Communication Review.
2:461-495.
1998
|
1994 | The Place of Rhetoric in ’New’ Film Historiography: The Discourse of Corrective Revisionism.
Film History: An International Journal.
6:45-58.
1994
|
Year | Title |
---|---|
2019 | Roll the Credits: Gender, Geography and the People's History of Cinema.
202-216.
2019
|
2018 | Rural Cinema Exhibition and Audiences in a Global Context.
91-113.
2018
|
2014 | Space, Place, and the Female Film Exhibitor: The Transformation of CInema in Small-Town New Hampshire During the 1910s.
44-79.
2014
|
2013 | From Mom-and-Pop to Paramount-Publix: Selling the Community on the Benefits of National Theater Chains.
189-208.
2013
|
2011 | Putting Cinema History on the Map: Using GIS to Explore the Spatiality of Cinema.
58-84.
2011
|
2007 | Four Hours of Hootin’ and Hollerin’: Moviegoing and Everyday Life Outside the Movie Palace.
130-154.
2007
|
2007 | Staying in the Moment: Hollywood, History, and the Politics of 9/11 Cinema.
85-106.
2007
|
2006 | Foreward
2006
|
2001 | The Sensational Acme of Realism: Talker Pictures as Early Cinema Sound Practice.
156-166.
2001
|