Year | Title |
---|---|
2018 | Fuller, the Dial, the Tribune, and Periodical Print Culture.
South Central Review.
35:89-102.
2018
|
2002 | Gender, Nation, and the Tourist Gaze in the European "Year of Revolutions": Kirkland's Holidays Abroad.
American Literary History.
14:60-82.
2002
|
1997 | The Panoptic Sublime and the Formation of the American Citizen in Cooper's Wing-and-Wing and Cole's Mount Etna from Taormina, Sicily.
James Fenimore Cooper: His Country and His Art.
11:7-13.
1997
|
1995 | Travel Writing and the Metropolis: James, London, and English Hours.
American Literature.
67:201-201.
1995
|
1986 | Irving's Italian Landscapes: Skepticism and the Picturesque Aesthetic.
ESQ - Journal of the American Renaissance.
32:1-22.
1986
|
Year | Title |
---|---|
2018 | American Travel Literature, Gendered Aesthetics, and the Italian Tour, 1824-62
2018
|
2013 | Margaret Fuller and Her Circles.
Ed. Bailey, Brigitte.
2013
|
2012 | Transatlantic Women: Nineteenth-Century American Women Writers and Great Britain.
Ed. Bailey, Brigitte.
2012
|
Year | Title |
---|---|
2016 | Urban Reform, Transatlantic Movements, and US Writers: 1837-1861.
205-219.
2016
|
2012 | Margaret Fuller's New-York Tribune Dis patches from Great Britain Modern Geography and the Print Culture of Reform.
49-70.
2012
|
2012 | Transatlantic Studies and American Women Writers Introduction.
XIII-XXVIII.
2012
|
2004 | Religious Icons, National Iconography, and Female Bodies in Hawthorne and Stowe.
69-79.
2004
|
2003 | Tourism and Visual Subjection in Letters from Abroad and 'An Incident in Rome'.
212-229.
2003
|
2002 | Fuller, Hawthorne, and Imagining Urban Spaces in Rome.
175-190.
2002
|
2000 | Representing Italy: Fuller, History Painting, and the Popular Press.
229-248.
2000
|
1993 | Aesthetics and Ideology in Italian Backgrounds.
181-200.
1993
|
1993 | The Protected Witness: Cole, Cooper, and the Tourist's View of the Italian Landscape.
92-316.
1993
|
University of New Hampshire
English
Hamilton Smith Hall
Durham, NH 03824
United States